Review: Counting Crows – Underwater Sunshine

A neo-classic of sorts, M. Ward’s A Wasteland Companion replaces much of his charismatic melancholy with ambitious new colors – in turn revealing a sunny chapter to his catalogue that few have expected.

Alabama Shakes’ Boys & Girls is vibrant and unique

Aaron Rottinghaus’ debut feature, Apart, is loaded with odes to other thrillers, but fails to thrill itself.

Idiocy and fan service derail The Hunger Games

Bela Tarr’s final film, The Turin Horse, is a masterpiece of modern cinema and will screen all this weekend at the UWM Union Theatre.

Agnieszka Holland’s In Darkness takes viewers to a dark, WWII-era Polish underground, where a pair of unlikely heroes aid Jewish inmates.

On indie buzz band Sleigh Bells’ newest LP, Reign of Terror, they try and miserably fail to mature in any way over their monstrously loud 2010 debut Treats, and it is for precisely that reason that the album succeeds.

Despite a bevy of unending hilarious moments of absurdity, Wanderlust, the new film from Wet Hot American Summer director David Wain, can’t find anything to fill itself out with.

Fun. recreates its signature sound on its sophomore album