As far as the other great media genres are concerned, John McLaughlin and the Rogues may be comparable to an abstract painting, an eccentric theatrical performance or even an edgy film; but it seems as though mainstream culture often clouds our perception of these obscure yet valuable corners of the musical world.

John McLaughlin and the Rogues lent their unique sound to the Eastside Green Market on Sept. 18, and their sound hit somewhere between dark Americana, dieselpunk, and “eerie graveyard blues.”

John McLaughlin (vocals), Troy Leisemann (saxophone and brass), David Zimmerman (drums and percussion), Sean Dumke (upright bass), and James Redding (piano and guitar) combine to form “A group of social miscreants / whom through the creation of their euphonious music / creep into your heart and soul,” as the song “Definition of a Rogue” describes.

The album is well orchestrated, but the band is best in a live setting. The group has a certain cohesion that is akin to what you might find in an experienced jazz combo. Their solid percussion, jazzy bass, and piano combine to form a strong rhythm section. Trumpet accents, growly vocals and guitar solos further compliment their Tom Waits-esque sound.

The band performs mostly originals, such as the heartbreaking tale of “Little Sammy Sideshow,” but also covers songs such as “House of the Rising Sun” by Eric Burdon, “Hallelujah” by Leonard Cohen, and the jazz standard “Minnie the Moocher” by Cab Calloway. Plus, according to James, “If you drop a 50 in the tip jar, we’ll play ‘Freebird’ for you.”

If you have an ear to lend and an open mind, John McLaughlin and Rogues will certainly deliver.

For more information visit www.johnmclaughlinandtherogues.com.